案件的律政部分和主线的悬念编剧已经难以为继了几对感情线稳定的稳定死亡的死亡也失去了再兴风浪的可能性于是编剧对这个本不稳定的小组成员下手了安姐依旧不断抗争忍辱负重Connor更加成熟稳重一次又一次靠爱与善重整旗鼓他丈夫反而被塑造为为达目的不择手段的现实主义者最终季看似情感分崩离席但事实上减少了政经法的勾心斗角突出了爱人朋友间的脉脉温情安姐最后的演讲义正词严、铿锵有力CO的分别催人泪下感谢最后的葬礼终于给了这群从法学院毕业终于懂得正义为何物的人们一个圆满的句号哪怕天各一方他们也因同一段经历而心居比邻ps:Fxxx M
Starts with the most formulaic and exhausted trope: the old accomplished cop on the verge of retiring dies, and his partner decides to take vengeance upon the villain responsible of his death. This one too is just as compliant to the standards & clicheys of the 80's hotcop: good heart but blamable methods. Dafoe's persona by contrast is appealing, esp. due to his (justified) artistic tendencies, a pretext for aesthetic interior settings - "Dance" by Matisse can be spotted during a fit of giggles. Later the storyline swerves off the beaten path with a couple of crushing failures for our cops, but not without good entertainment value (engaging car chase & final showdown). Good epilogue as well